The names in the 2nd
& 3rd lines refer to a messy love affair—secretary/mistress (?)
to whom Frost proposed while she was still married, her husband, Frost’s wife, and
a friend. My take is simply to acknowledge that love and life can be messy—sometimes
really messy. He who is heading for the pantheon of the greats, to duke it out
with Horace, et al., also lived a life with all its anxiety, frustration and squalor
down here. That’s still always the foundation of the fame industry. But there
needs to be more, which Henry puzzles over in the 2nd stanza. It’ll
come with pain and mystery, and best to leave it alone. Chasing fame on its own
is certainly possible, and some get it, but that’s a hollow pursuit in the end.
Pursue the mystery with integrity instead, and leave that other stuff alone. As
for the rest of us: Just listen.
Berryman was ambitious, I’ll say
that for him. Aiming for The Pantheon. He was a mess too.
Here’s a poem that came this
morning from looking at the weedy urban woods I see out the window of my study:
Invasives
English ivy colonizes the oaks
That bear an alien green canopyIn the snow and chill of February.
Thickets of honeysuckle
Crowd their trunks and shade-stomp
Their sprouting acorns. Garlic mustard
Poisons the soil and yellows
The delicate trilliums,
Wise native beauties
Older than the trees above them.
We don’t approve this invasion
The forest seems to say.
You’ll never belong here.
Riches of light and soil
Are for those with the right
To take them, the English
Ivy responds. As it seems
You don’t approve, we suggest
You might talk to the poison ivy
Over there, but don’t touch.
They’re agile and irascible vines,
Who root with a toxic power,
And we especially admire them
In the fall, when they don
Their magnificent red coats.
KZ
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