[No online link available.]
Lean as a snake
he staked his claim upon obscurity:
a prayer to be left alone
escaped him sometime or for a
middle zone
where he could be & become both
unknown & known
listening & not.
Still in the insane asylum? I think so. Any recognition he
might be receiving is for the old Henry, not the present hospitalized/incarcerated
one, so he has no interest in that because it’s not about him now. At least not
from the Nurse Ratched characters stalking his floor, and the wider general
population of Irish people who didn’t know him and perhaps only got occasional wind
of his fame: “Say, d’ye see that gentleman there? He’s said to be a mad American
poet with a great reputation.” He was no Yeats in Dublin for sure. The present
Henry incarnation craves a measure of obscurity, perhaps to heal under, like
the shade of a parasol. But a cable comes, “an unexpecting & triumphing cable
/ when he least hoped for, & most needed it, / making him feel at home.” Word
from someone he respects changes the day. Home is where the heart is, which is
an awfully sap-headed thought to throw at a dying alcoholic committed to a
mental hospital, I know, but even Berryman’s poetic ghost might perhaps take
what empathy he can get and be grateful for it. Not sure in the end he really
wants it, though. This is a time for Henry to curl up in a ball and endure,
living for random cables from American colleagues and trying to not let the
regimentation enforced by starched pale nurses and clanging bells drive him
over the edge.
This is a poem I wrote about 1984. It’s amateur and
undergraduate, but I’m fond of it. I was pushing in all sorts of directions,
discovering new vistas almost daily. I dug it up because I think it captures
Henry’s pre-cable mental state fairly well. My poem came purely from
imagination then, although, like Henry, I had been forced to look at myself, at
what I had done or not done, and decide what that meant. I was young; I grew
and moved on. Henry’s situation is serious and much, much more grave. But in my
neophyte way, I believe I spent a writer’s evening in Henry’s place, needing to
shrink away so I could complete a metamorphosis in peace.
Twilight Fugue
I can play you a peaceful note
Here, removed from an angry world.
Glaucous blue, the musical reverie
Quiets a jangled nerve. With
A twilight fugue close to sleep,
Drowsy pucks linger in your
Ear, and powder your head with dust,
And silence for the night the rusty
Strings that rang in red-lit halls, at dusk
When dreamers in beryl pallets slept,
And pushed their pillows in their ears,
Dreading the scarlet dawn.
KZ
"Saving him from vanity." This is not the B In used to.
ReplyDeleteI know--he tends rather to wallow in it, doesn't he?
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