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About fame. There is much of hoopla, prizes, interviews,
photos in magazines. Imitations, translations, fan mail. As he is boarding a
ship, his whereabouts became known and there were photographers waiting. The
point is that this stuff is all froth, the price one pays for why one writes.
You write because of this extra line tacked onto the end of the poem: “A lone
letter from a young man: that is fame.”
Yep. The interviews, the money, the accolades: They bubble
up off of what matters: language and ideas that reach a lone person, a student,
maybe, under a single dim lamp in a cold attic apartment. Maybe he has a cat in
his lap and his tea gets cold quickly, but it’s lovely when it’s hot. Probably she
has lines of books along pine planks supported by plastic milk crates. For all
the froth of fame, and all the commercialized bullshit that has overrun our
lives, for all the publishers run like businesses for profit, and the
universities run like businesses for profit, there will always be lonely young romantics
immune to the nonsense because they’re smarter than that and they’re actually
trying to figure out this mess we’ve made of things. Through all the noise voices
are still speaking that offer guidance and advice about what it means to be alive and human, and they can still be heard. They echo out of the past; they
are peers, colleagues and contemporaries whose low profile is chosen or
enforced, but whose voice cuts through the clutter. To cut through, that’s all
that matters to a real writer.
Is this a pose on B.’s part? I’m not feeling too cynical
today, so no. His voice echoes still for a lot of people, even naïfs like me
who had no idea what we would find when we opened his book. You take the first
step on trust, and after that you take what comes. In B.’s case, I don’t always
like the voice, and it’s loaded up with its own bullshit, often. But it’s a
voice. In the end, that’s what matters. This whole project is a long, lone letter
from a man (younger than his age) who’s still trying to figure this mess out.
It's nice that, in this one, B really does mean that it's not the praise that matters. At least, not the celebrity. Maybe that's part of his issue; he conflates celebrity with simple praise.
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