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This poem is a stream-of-conscious monologue, with the
narrator resting in a park and thinking about, and talking to, an unnamed
person, who is certainly Delmore Schwartz. It’s an interesting poem, not
syntactically complicated. It’s in three parts. The first is a question: Were
you good to him, even though he wasn’t good to you? B. knows his dead friend
couldn’t have been good to him, of course, because toward the end Schwartz was
suffering from severe mental illness. The second section is an observation of a
beautiful day in the park, with his daughter playing in the grass. But there is
this: “That dreadful small-hours hotel death mars all.” It may be a lovely day
in a city park in Dublin, but his friend died alone and paranoid in a cheap
hotel in New York City. The speaker is in such a self-doubting frame of mind
that guilty thoughts step in and wreck a beautiful day. The speaker asks
himself a question at the end, about Schwartz. The question is left unanswered:
Did you
leave him all alone,
to that
end? or did he leave you, to seek
frailty
& tremor, obsessed, mad & weak?
That’s all. It’s not complicated. Who left who? But it’s a good
articulation of the kind of regret that grief and grief’s lingering aftermath
can trigger: I could live with this if I knew I had done everything I could. If
I had been as good a friend/father/son/spouse as I could be. The fact that the
speaker, the griever, is even asking
this question in the first place actually implies its answer. No. I didn’t do
enough. I could have done more.
It’s probably not a fair question to lay on oneself. But
humans will sometimes beat themselves up over things they don’t deserve.
Sometimes when I’m tired and in a bad mood, I’ll make some outrage up and then
go ahead and get really mad about it, until I stop and say to myself, Dude! You’re
making it up! Sometimes I look back on some mean thing I did when I was
thirteen and feel terrible about it. Sometimes I think of something I wanted to
do, like smack somebody upside his head with a tennis racket, and which I didn’t
do, but just having wanted to do it makes me feel guilty. I just don’t write about these
things. But everybody does this stuff. If you let it get a grip, it has the
potential to wreck your day. I get past it either by doing something or saying something
nice to someone, or just by turning to work. Which is what B. is doing here
himself. His work is to capture these moments and give them form. But I also
wonder if he didn’t cultivate these kinds of self-castigating moments, like
spreading manure in a garden. It stinks, but you end up with all these great
tomatoes, some zinnias and coneflowers, and way too damn much zucchini.
He thought his drinking aided his Muse. He didn't just mine his misery, he pressured it into being so he could have more material. He tried to be a poetic perpetual motion machine.
ReplyDeleteWhich never works out.
"He pressured it into being." I'm using that line. You're right about that, I think.
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