Continuing from DS 251, this time
comparing the list of places in India he and his friend wanted to see but
missed. The reasons for their traveling through India are mentioned in the
second stanza, B. sauntering through the subcontinent like Old Ben [Franklin]
through Paris when he was the toast of that city, and the US young and fresh,
struggling to get established, like a newly-graduated, naïve 22-year-old who
landed a good job on the basis of her brains, looks, grades, and charm, and now
has to demonstrate she’s worth the investment. But that’s all an aside, and the
poem up to this point is disposable. “Travel’s a plague. But that’s no matter.
So is home.” I suppose…because: “It’s paying out cash every day that actually
bugs you.” Sure, but you expect that when you travel, and you expect that at
home. Is there something bigger arising here? A critique of the capitalist
money economy? Well, yeah... So what is this that follows, and why?
Isn’t
getting rid of old friends
worth
it? And the destruction of mail en route
worth
anything? Accompanies the combers foam
into
which we dive too.
It looks to me like the freedom
that comes from leaving it all behind, where you don’t even need to worry about
letters, those little hooks stuck in your shirt that pull back at you, which
you have to pluck one at a time like pesky rose thorns before they let you go—there’s
a vine that grows in a tropical rain forest that’s called the wait-a-minute
liana, because once it gets it hooks in you, you’ll just go ahead and wait a
minute before you get all those diabolical clever thorns released from your
shorts. No more of that either. You dived into the ocean, as far as anyone
knows, and as to where you come up, and whether you’ve drowned or not—well, you’ll
be back, eventually. More than likely. In the meantime: travelling. Expect no letters, or calls (or texts). Expect no
sentimental connection to home once I’m unhooked, because frankly, folks, my life
there sucked anyway.
Travel is a freedom, of which one
never gets enough, and home is a drag, in other words. Get me outta here! You pay for the privilege of sitting there
at home, just existing, so might as well pay to go where they eat things like
banana flowers, monkey brains, and jellyfish. The banks and utility companies
back home can go pound sand. So can your friends, who mean well, but whose
hooked claws always force you to wait a minute.
I love my friends, and I need my connection
with them because it’s one of the critical influences that define who I am, and
in Paris, I often spent long afternoons in anonymous cafés, with a demi-tasse
and croissant, writing long, intricate postcards to friend and family back home.
But there were other days when I said goodbye to my host family in the morning,
decided where to go on my walk to the Metro, and took off. See you tonight! I’ll
be back with a story. No one on Earth knew which city I was in—Bourges, Laon,
Orleans, Rhiems. Let’s just go see what’s there. All by myself. It was beyond
freeing and beyond wonderful.
No hooks!...
In the end, B returns to his suicide theme and image. "Wouldn't it be nice to leave everything behind and drown in the ocean?"
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