Last of summer, 1966, packed and
ready to depart for a fellowship in Ireland, listening to Schubert. Lots of
pills and whiskey around of course. All those details are immediate and of the
moment, the kind of thing so often finding its way into these Dream Song poems,
mostly written quickly and very much of a contained, particular moment. It
makes me think that a daily blog like this may be the most appropriate response
imaginable to The Dream Songs because
blog posts are also each of a moment—first drafts, all of them, but
(hopefully!) building a coherent response through a sustained engagement even
through the flux of mood and tone that any individual swings through day to day.
Sometimes moved, sometimes admiring, occasionally awe-struck, other times
frustrated or exasperated, or even pissed off. Comes and goes. Each day’s post a
spontaneous swatting at whatever the poem tosses up for that day. A creative/critical
game of poetic Whack-A-Mole. I know of a few friends who are reading regularly,
although I can tell from the stats provided on the blog site that there is
someone in Portugal dropping by pretty often now (eu realmente espero que vocĂȘ
encontre o meu projeto interessante e instrutivo!) and also from the
Netherlands (ik hoop echt dat je mijn project ook). I love that!
Anyway, DS 256 begins all banal
enough and harmless, though to begin with images of pills and liquor has this
kind of bitter humor where B. is really shaking his head at himself. So not so
harmless, maybe. The pills I can maybe understand, but there’s butt or two of
good whiskey to be found in Ireland, from what I hear. You don’t need to pack
the stuff along! But there was no rest for the man that morning, and Shubert’s
damn scratchy concert on the phonograph is enervating more than anything. Mr.
Bones’s conscience, actually the Eternal Voice of Hovering Death, as we know,
makes this kind of snide remark about restlessness and the afterlife: “The Lord
will bring us to a nation / where everybody only rest.” There’s travel to a new
country, and there’s, you know, travel to
a new country. That’s one take on heaven right there, where everybody only
rest, lounging about naked and fat in the clouds, choir and harp-strumming and
all that insipid business. Next time you stop for 10 seconds in an art museum,
in front of one of those massive old paintings from like, say, the 1580s, canvases
usually ten or twelve feet tall, uncomprehending that such a thing ever even
came to exist, with the little angels with their little gold harps and horns
floating around the contorted main subjects like sparkling little angel-shaped
Mylar helium balloons, it helps to remember the squalid desperation, the syphilitic
starvation and sweat-stinking, spoiled-cabbage desolation of the typical
European life at that time, the loose black teeth and blood-letting, the smell
of stale fish on the fingers of your barber, the grunting constipation over the
deep and distant foaming surface of a fetid latrine, the tedium and fear, the
atrocious public executions, the horseshit and reeking orifices, everyone’s
ears and nostrils stuffed with hair, the tyrannical church-guilt, the pain and
bloated food poisoning, gout and cholera and plague. In that context, insipid, lounging
little fat angels don’t seem so ridiculous any more. In fact, that would seem
kind of lovely, in contrast.
But no, that’s a boring thought
to Henry, and who can blame him? There’s nothing left to that but God, for Chrissake, Henry says. BORING. The
real meaningful lines from this poem, the keepers? “long experience of His
works / has not taught me his love. / His love must be a very strange thing
indeed, / considering its products.” He and his angels may be dull, clean-perfumed,
and shiny-oiled up there in cloud-soft heaven, but He made this world down here
too, didn’t He? And it’s pretty awfully messed up. Sometimes, all you want to
do is rest away from it. Rest is not boredom. Angel-soft heaven is boredom.
Rest is the peace of setting aside the suffering. Without peace, pain and
boredom and no-rest become hard to separate. B. is admitting that he can’t even
tell the difference anymore. If there is a dense, cold fog in Ireland, that
will be a blessing.
Of course he was listening to Schubert, who died insane. Probably 'Death and the Maiden.'
ReplyDeleteI ended up liking this'd one a lot, fit the same line you did.